My art pieces and prints are a deep study of the physical and mathematical phenomena that govern the cymatics and Kinetic of sound, an exploration of resonance as a visual form and structural pattern. Based on principles of wave physics, each work is constructed through the controlled interaction between specific sound frequencies and material media, where repetition and patterns emerge as the underlying language of the universe.
The repetition and patterns in my works are not mere decorative elements; They are representations of fundamental principles of self-organization. Inspired by theories such as dynamical systems and fractal geometry, he investigated how small-scale interactions generate global configurations. This philosophy highlights the iterative nature of the universe, where resonance and periodicity reveal intrinsic order.
My works are, in essence, technical diagrams of the symphony hidden in matter. Each print is a capture of the dance between energy and structure, a window into the harmonic spectrum that defines the fabric of the cosmos.
In the dimension Kinetic, my pieces explore the dynamics of movement generated by sound and its interaction with matter. Through high-precision simulations and manual processes, he captured the energy transfer and organic rhythms that emerge from vibration. Every line, curve and repetitive structure in my works is a direct record of the behavior of complex systems governed by laws such as wave propagation, interference and harmonic resonance.
Cymatics, a discipline that studies the visualization of sound waves in physical media, is the conceptual basis of my compositions. Using advanced modeling technologies and physical experimentation with materials such as liquids, powders and vibrating surfaces, he transformed standing waves and harmonic frequencies into visually coherent geometries. The nodes and antinodes that arise in sound configurations represent a mathematical balance, where sound finds its maximum visual expression.